Latin on the Direct Method
By W.H.D. Rouse and R.B. Appleton
University of London Press, 1925
Chapter 1.
I do not propose in this
place to enter upon controversy, but simply, so far as I can, to describe
facts. The direct Method indeed, in principle, is no longer on its defense. It
is, and has been for a generation past, accepted by all competent teachers who
are free to speak, both in England and abroad, as the right way to teach modern
languages; and that too, not only for the purpose of every-day converse, but to
understand and enjoy the literature. The method, at first devised as a practical
expedient for material ends has proved to be the best means for spiritual ends;
and for once in a way, the man with the muck-rake has raked up a diamond. Where
lack of courage, or lack of encouragement, or other hindrances have made it
impracticable, the results of an imitation of the current classical method are
so bad, that they might warn all men against that system itself, were it not
that the human eye is capable of beholding all things and yet seeing nothing.
Nor can it any longer be
denied, that the method may be applied to the teaching of classics. It is
clearly possible, because it has been done, and is being done. It is clear that
it is done without prejudice to scholarship, since boys so trained more than
hold their own in examinations which have been devised to test a different
method altogether; if the conditions were reversed, a still more striking tale
might be told. And there are advantages, which the reader may divine from the
book. I will only add finally, that the current method is not older than the
nineteenth century. It is the offspring of German scholarship, which seeks to
learn everything about something rather than the thing itself; the traditional
English method, which lasted well beyond the eighteenth century, was to use the
Latin language in speech.
The Direct Method is really
one phase of a large principle, that of appealing to the instincts, feelings,
and desires of the learner, and using them for the purpose of training: the
principle which has given us so great an improvement within living memory in
the teaching of English, of literature, and history, and has consciously used
the in training the mind. This is a movement which will yet rescue our
elementary schools from their ugliness and their pedantry, and will make them
breeding-place of Englishmen. It is also reinforced by psychology and by common
sense; for both these great philosophies agree, that you arrive at your goal
sooner if there are no impediments between; nor less by commerce, which shows
us that the profits are greater if there are no middlemen.
As applied to the teaching of
languages, the Direct Method means that the sounds of the foreign tongue are
associated directly with a thing, or an act, or a thought, without the
intervention of an English word: and that these associations are grouped by a
method so as to make the learning of the language as easy and as speedy as
possible, and are not brought in at haphazard, as they are when children learn
their own language in the nursery. It follows that speaking precedes writing,
and that the sentence (not the word) is the unit. The method is largely oral,
but not wholly so: on the contrary, all the practices of indirect methods are
used, but not at the same time, nor in the same proportion. Language is an art,
and we proceed from art to science, from idiom to accuracy; the idiom, the
feeling for a language, is easily taught thus, and accuracy can wait. To begin
with an attempt at exactitude is to make idiom always difficult, and with
mediocre minds, impossible to attain in the end. It will be seen that four
senses are used to make the impression: hearing first, then speech, then touch
(when the new matter is written), and lastly sight. We may even enlist taste on
occasion. The simpler the vocabulary, the easier it is to practice accidence
and syntax: one thing is done at a time. The process is: first imitation, next
imitation with a difference, lastly the use of what has been so learnt.
How these principles are
applied will be clear from the later parts of this book; but I wish to call
attention here to a few matters of importance.
(1) Every boy is expected to
ask whenever he does not understand. He is blamed, not for ignorance, but for
pretending to knowledge. This practice is a great help to the master in later
years, when the literature is being studied. It also creates a conscience in
these matters.
(2) New work is always done
in school, the homework being either revision or some test. This makes the
unlawful use of cribs impossible, for no crib can anticipate the master’s
questions. It also becomes impossible for any boy to get some one else to do
his work for him.
(3) Discipline causes no
trouble, when all are interested.
(4) Progress is quick, since
the whole Latin lesson is filled with practice in Latin. The work done is not
measured by the text, which may be only a few lines at first; for it includes
drill and discussion, all in Latin, which are of many times that measure. In the
Sixth Form, large masses of text are read, besides the discussion, which is now
less in proportion yet still considerable. But the saving of time allows
everyone to be thoroughly trained in French and German, in English and in
History, without neglecting Mathematics or Natural Science.
But that which most clearly
shows the benefits of the Direct Method is the spirit which it induces in those
who learn. The very beginnings, which are otherwise so apt to be dull and
tiresome, are here full of pleasure and novelty; and it is simply impossible to
overrate the importance of first impressions. Quintillian, who is full of wise
advice on the teaching of language, saw this when he said (Inst. Or. I, I, 20), “id in primis cavere oportebit, ne
studia, qui amare nondumpotest, oderit, et amaritudinem semel perceptam etiam
ultra redes annos reformidet. Lusus hic sit”—and what better description could be given of the Direct
Method? First impressions are lasting. And let no one suppose that the learner’s
happiness implies that his mind is not working. On the contrary: there is no
more potent method than this for gaining and keeping the attention, which is
only another way of saying that the mind is kept at work. This is what strikes
a visitor first and most strongly, that each boy is obviously full of keen
attention, ready and eager to take his part. “The labour we might delight in
physics pain” : it does not cease to be labour, if it becomes a delight, but
work willingly done is well done. No less work is done in a morris dance that
on the treadmill, but it has a different effect on the human spirit. I suggest
that those who urge the moral benefit which a boy is supposed to receive, by
doing what he hates to do, whether they are not really covering up the secret,
that they are unable to make his work interesting. I wonder whether they apply
this gloomy doctrine to themselves.
Those who wish to test the
accuracy of our description are free to do so. Those who are satisfied with
things as they are, naturally will not; but if they do not, they are not free
to express any opinion. But how many are really satisfied, ex animi
sententia, that the best is being
done, I do not say for the picked boys of the Sixth Form, who do well under any
system, but for the moderates, the humdrum, who make nine-tenths of a school?
Let them see to it. Those again who wish to understand the philosophic reasons
for the direct method may be referred to a Report drawn up in 1913 by Prof.
Archer, of Bangor, and Mr. L. deGlehn.* If any wish to see how the same
principles have been evolved through experience by a very intelligent but quite untrained
teacher, they will find what they seek in Ms. Sullivan’s notes on her teaching
of Helen Keller, a child deaf, dumb and blind, whose miraculous story is most
illuminating for the teacher of language.
* Association for the Reform of Latin Teahcing: Report of
the Third Summer School held at Cambridge, September 2-12, 1913.